Award winning Director Jaco Van Dormael joins DN to discuss why his irreverent forth feature ’The Brand New Testament‘ isn’t about religion.
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DN336: Asaf Korman Delves into the Heart of Unhealthy Symbiotic Relationships in Sibling Drama ‘Next to Her’
Israeli director Asaf Korman joins us on the podcast with feature debut ‘Next to Her’, an intimate and very personal look at the themes of co-dependence and unhealthy symbiotic relationships.
DN335: Hanna Polak Unearths the Treacherous Journey of Life on a Moscow Rubbish Dump in ’Something Better to Come‘
Oscar-nominated Director Hanna Polak reveals why she dedicated 14 years of her life to tell the story of Yula, a young girl who grew up on Europe’s largest garbage dump, in the heart wrenching vérité documentary ‘Something Better to Come’.
DN334: Enduring the Violence of Strangers in Stephen Fingleton’s Dystopian Feature ‘The Survivalist’
Stephen Fingleton joins DN to discuss the harsh realities of a career in filmmaking and how he created the contained post-apocalyptic world of his debut feature ‘The Survivalist’.
DN333: Passion & Insanity Make for Destructive Bedfellows in Jakob M. Erwa’s Tense Psychodrama ‘Homesick’
“Don’t sit & wait for the chance, do it! If you fall you fall. Stand up, do it again!” Dir. Jakob M. Erwa shares the rallying cry that powered the production of his psychothriller feature ‘Homesick’.
DN332: Maya Newell Explores Society’s Reactions to Same-Sex Parenting in ‘Gayby Baby’
Australian Director Maya Newell discusses her exploration of same-sex parenting in her debut documentary ‘Gayby Baby’.
DN331: Matt Sobel Takes an Inverted Look at the Coming of Age Story in ‘Take Me To The River’
DN talks to Matt Sobel about his inverted coming of age feature ‘Take Me To The River’ and discovers how he harnessed the celebrity power of Taylor Swift to craft an impressive performance from his young co-star.
DN330: Nightmares Become Unreality in AKIZ’s Dark Monster Tale ‘Der Nachtmahr’
Artist & Director AKIZ shares how he brought realism to his fantastical feature ‘Der Nachtmahr’ whilst augmenting the film’s abrasive techno soundtrack through the use of sonic experiments.
DN329: Politics & Film Noir Combine in Alexis Alexiou’s Thriller ‘Wednesday 04:45’
Greek Director Alexis Alexiou joins us to discuss how he went about creating a lyrical, surreal quality for his crime thriller ‘Wednesday 04:45’ and why in his opinion good film noir is actually political in nature.
DN328: The Child Assassin Comes of Age in Ariel Kleiman’s Debut Feature ‘Partisan’
DN tracked down ‘Partisan’ Director Ariel Kleiman to talk submarines, scoring Vincent Cassel for his debut feature & why kids can’t point guns in Australian films.
DN327: Johanna Schwartz Documents the Defiant Spirit of Malian Musicians in Sonic Feature ‘They Will Have to Kill Us First’
Director Johanna Schwartz joins DN with her feature-length documentary ‘They Will Have to Kill Us First’ – a film which charts the defiant spirit of Malian musicians willing to risk their lives for the love of their art.
DN326: Joseph Sims-Dennett Embraces the Voyeuristic Darkness in Horror Mystery Feature ‘Observance’
Dir. Joseph Sims-Dennett talks to DN about the anxieties of building a directing career and how he took things back to the self-initiated basics for his second feature, the dark horror mystery ‘Observance’.