Award winning Director Jaco Van Dormael joins DN to discuss why his irreverent forth feature ’The Brand New Testament‘ isn’t about religion.
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Israeli director Asaf Korman joins us on the podcast with feature debut ‘Next to Her’, an intimate and very personal look at the themes of co-dependence and unhealthy symbiotic relationships.
Oscar-nominated Director Hanna Polak reveals why she dedicated 14 years of her life to tell the story of Yula, a young girl who grew up on Europe’s largest garbage dump, in the heart wrenching vérité documentary ‘Something Better to Come’.
Stephen Fingleton joins DN to discuss the harsh realities of a career in filmmaking and how he created the contained post-apocalyptic world of his debut feature ‘The Survivalist’.
“Don’t sit & wait for the chance, do it! If you fall you fall. Stand up, do it again!” Dir. Jakob M. Erwa shares the rallying cry that powered the production of his psychothriller feature ‘Homesick’.
Australian Director Maya Newell discusses her exploration of same-sex parenting in her debut documentary ‘Gayby Baby’.
DN talks to Matt Sobel about his inverted coming of age feature ‘Take Me To The River’ and discovers how he harnessed the celebrity power of Taylor Swift to craft an impressive performance from his young co-star.
Artist & Director AKIZ shares how he brought realism to his fantastical feature ‘Der Nachtmahr’ whilst augmenting the film’s abrasive techno soundtrack through the use of sonic experiments.
Greek Director Alexis Alexiou joins us to discuss how he went about creating a lyrical, surreal quality for his crime thriller ‘Wednesday 04:45’ and why in his opinion good film noir is actually political in nature.
DN tracked down ‘Partisan’ Director Ariel Kleiman to talk submarines, scoring Vincent Cassel for his debut feature & why kids can’t point guns in Australian films.
Director Johanna Schwartz joins DN with her feature-length documentary ‘They Will Have to Kill Us First’ – a film which charts the defiant spirit of Malian musicians willing to risk their lives for the love of their art.
Dir. Joseph Sims-Dennett talks to DN about the anxieties of building a directing career and how he took things back to the self-initiated basics for his second feature, the dark horror mystery ‘Observance’.